Friday 11 December 2015

Guest Author Rob Rayner.

This week on the Scribbler you will meet Rob Rayner. A multi-talented gentleman from St. George, NB.

I never knew what I wanted to be when I grew up.

In addition to a few go-nowhere jobs, I’ve been a journalist (in Cambridge, England), a teacher (in Colchester, England; Glovertown, Newfoundland; and Charlotte County, New Brunswick), and an elementary school principal (in St. George, New Brunswick).

I’ve been writing as long as I can remember, news and features as a journalist, tracts and diatribes on education as a teacher, stories to read to students as a principal, and, all the time, stories for their own sake. Rather to my surprise, I’ve now written one crossover novel, nine YA novels, fourteen novels, and three adult novels.

Although I forsook being a school principal to teach music at home, and to have more time for writing, I still love the world of school, and often talk to students about writing. Many of my stories have grown out of, and continue to grow out of, my experiences working with children of all ages.

When I’m working on a book, I usually write in the morning, starting early, and play and teach music in the afternoon. If I’m under pressure to finish something, or I’m obsessed with a story (which I regard as a good sign), I tend to write at every spare moment, and when I’m not writing, I’m thinking about what I’m going to write.

When not writing, or playing and teaching music, you’ll find me (just suppose you want to) walking, reading, skiing, taking photographs, feeding and watching the birds, or listening to music. I play keyboard, and a bit of sax and clarinet, with Stepping Out, a band that performs standards, country rock, blues, and old rock and roll, and I use the guitar to accompany songs I’ve written to introduce some of the characters in the stories.

I live in St. George, New Brunswick, on the Magaguadavic River, where I drive Nancy, my wife, to distraction by getting obsessed with writing, and by watching lots of soccer on TV (go Newcastle United and Wolverhampton Wanderers), and by playing loud music.

My crossover novel, Colorland (have to use the US spelling because it’s published in the States), tries to explore the concept of a ‘higher self’ that we call upon when we need to achieve something normally beyond us, maybe in an act of heroism or desperation, maybe fortuitously when pursuing an interest and having everything ‘click’ at exactly the right time.

As Ridge, in the novel, explains:

“You know how sometimes something happens, and afterwards you think what you could have – should have – done, if only you had the nerve and the confidence to do it, but of course by the time you think that, it’s too late.”

Isolde nodded.

Wenden mumbled, “Only, like, all the time.”

“Well – it’s like having the nerve and the confidence to do it straight off, at the moment you need to do it,” said Ridge.

Colorland is an adventure story of rebellion, comradeship, and betrayal; of reluctant initiation into the arbitrary necessity of violence; and of love, requited, unrequited, and lost.

The novel is published by Speaking Volumes Press and is available in e-form at Chapters/Indigo, Amazon, Barnes & Noble, and iTunes, and in print form at some Chapters/Indigo/Coles stores, and in both print and e-form from the publisher.


Here’s the prologue:  

     Isolde is crying again.

     Wenden, waking, hears her through the thin walls of the old farmhouse. He rises and pulls on shoes and a warm jacket. They all keep their clothes beside them at night, ready to dress in a hurry. Across the room, Meru stirs and murmurs in her sleep. She’d been on first watch, until Ridge took over at midnight. Wenden tucks her blanket around her.    

     When Speed brought them here, and showed them the two spare bedrooms, they decided one would be for the girls and one for the boys. But Isolde comes to Ridge most nights, despite his aloofness, and Wenden goes next door and sleeps in Isolde’s bed, in order to leave them alone. Sometimes Meru creeps in with him, for warmth and comfort. Only once has it gone beyond that. Wenden wonders if he should be offended by her lack of desire for him, but he understands, because he sees how Meru looks at Ridge. It’s the same as he looks at Isolde.          

     He pauses in the hallway, listening to Isolde’s weeping. He’d like to go in and comfort her, knowing she’s alone, remind her that Ridge can’t help how he is, he’s like it because he saved them all, but she knows this. Besides, he fears how his friend would react, in his present state, if he found them. Even in Ridge’s aloofness, Wenden knows the vestiges of his bond with Isolde remain, as responsibility for her, if no longer love, and he doesn’t want misunderstanding to unleash his friend’s ruthlessness. 

He stands on the veranda. The morning sky is red and immense, and the plain stretches in shades of russet and brown as far as he can see. Speed is somewhere out there, checking the perimeter, as she does every morning. She promises they’re safe here. No-one can approach without their knowing in plenty of time to flee, and the city can’t afford aerial reconnaissance. Not yet.

     The sun is just up and the air is cool. Wenden reckons it’s late October, which means they’ve been there nearly a year. He wonders if that’s cause for celebration or lament. 

     Ridge comes around the side of the house and stands beside him.

     “Isolde’s crying,” Wenden tells his friend.

     “She’s always crying,” says Ridge.

     “She can’t help it.”

     “I know.”

     “My watch,” says Wenden. “Get some rest.”

     Ridge goes inside. He peers in his room. Isolde is grey. Like Wenden, like all of them, like everything. He’s almost forgotten color, since he’s been trapped on this side. Sounds are muffled, in harmony with the grey pall, except the sounds of danger, or of anything at which he directs his essential ruthlessness. It’s what he’d learned to summon – what he’d needed – in the months before they found sanctuary with Speed. Now he curses his transcendence, at the same time as he knows that one day he’ll need it again.

     Isolde sits up in bed, a grey wraith, sniffling, wiping her nose with one hand, one shoulder bare as the baggy tee shirt she wears to sleep – one of his – slips down. She reaches her arms towards him. She rises from the bed like smoke. Her hands slither over him. Her voice comes from a distance.

     “I want to feel you.”

     “You can’t.”

     “What do I feel like to you?”

     “I’ve told you over and over. Like nothing. Just a … a resistance.”

     She tries to smile. “I’ve never resisted you. Not for as long as I can remember.”


     “Don’t you feel anything in Colorland? I don’t mean just touch, but feelings?”

     He tries to summon feelings.

     His coat round her shoulders, her hand in his, the day old trace of her scent on a borrowed shirt flit through his memory and are lost.  

     “You ask me that every day.”

     Outside on the veranda, Wenden rises from his seat on the steps to greet Speed.

     She says, “Everything okay?”

     Wenden shrugs. “Isolde’s crying again.”


Thank you Rob for joining us on the Scribbler and this teaser to your thriller, Colorland.

Discover more about Rob at the following links.
Book trailers (and some music stuff):

Please visit again next week when Mark Tilbury of Cumbria, England shares an excerpt from his thriller - The Revelation Room.

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