The Scribbler has another first-time
visitor as our featured Author this week.
Stella has kindly accepted our offer to
share the SBTS of her latest project.
Read on my friends.
Stella MacLean is a story teller.
Simple as that.
An author of many books, both fiction and nonfiction, she has served as
Writer in Residence at Vancouver Public Library in Vancouver, British Columbia.
She has been a board member of Romance Writers of America and is member of
Writers Federation of New Brunswick and Romance Writers of Atlantic Canada. Her
short stories have won several short story contests, most recently The Letter
Review Contest. Stella relishes the
hours she spends hiding out in her office making up stories about the lives of
imaginary people.
Having found love again in the third act of her life, Stella enjoys
telling stories about people who find love elusive and complicated, but still
try with all their hearts.
Stella's past includes being a registered nurse, from which she has drawn
story ideas for several of her books. She went back to university when her
children were older and was granted a Commerce Degree, majoring in Accounting,
from Mount Allison University in Sackville, New Brunswick, Canada.
Title: Family
Ties, Family Lies
Synopsis:
It's New Brunswick in 1940. Jessie Perry loves
to teach. She and her husband, Walter, and daughter Sarah, live in Saint John. Jessie
teaches and Walter has a good job with the railroad. But when a news photo of a
social event in the city shows Jessie and Walter drinking, her parents object,
calling their behaviour immoral. Her father, Adam, is furious that his
granddaughter is being raised in a place like Saint John, a city of
philanderers and criminals. He offers Walter a loan to buy a farm. Despite
Jessie's objections, Walter accepts.
Jessie leaves her teaching job, moves to the
farm, a life she hates. Then she has to protect her family's reputation by
taking her sister Pauline's illegitimate baby. Once again Jessie has to give in
to her family's wishes. She raises Marguerite, keeps the secret of the child's
parentage, allowing Pauline to return to her life.
Determined to get back to teaching when her
children are in school, Jessie secretly uses birth control, a decision that
nearly ends her marriage. When Jessie finally gets the chance to teach she
grabs it, creating an emotional separation between Walter and her.
Marguerite never felt a part of her family.
Jessie is emotionally distant, and she is treated differently from her sisters,
Sarah and Beth. To compensate Marguerite becomes a very successful woman,
working in marketing in Toronto. In 1986,
a year after her mother's death, she seeks the help of a psychiatrist to
resolve her lack of feelings around her mother's passing, and learn why she
can't maintain a relationship with the man she loves. Her efforts to find the
truth lead her back to her family, her aunt Pauline and the parents she’d
never known.
The Story Behind the Story:
Although this
book is fiction this story has consumed me for a very long time. My mother was
a very private person, sharing very little of her life before she had a family.
She taught during those years when women were not recognized for their
abilities, where working outside the home was frowned upon. In this story I
have tried to showcase what her life might have been like as a wife, mother,
and teacher who lived on a dairy farm in Southern New Brunswick, and the price
she paid in her family relationships in order to find her way in the world. It
is also about the dynamics of a second-generation Irish immigrant father who couldn't
accept how much the world changed during World War II
If I were to
write the blurb it would be something like this;
A mid-twentieth century story about the force
of love, of family demands for obedience to the past, and the soul's need to
find acceptance in the space and context of family. Most of all it's an
exploration of the complex relationship between mother and daughter, the shifts
and changes, the words said in anger, the words not spoken, opportunities lost
to fear of rejection.
 |
| A photo taken next to the full size sculpture of Shakespeare in Stratford Upon Avon in England |
Website – go HERE.
A question before you go, Stella.
Scribbler: What is the ideal spot for you when you write your stories? Music in the background or quiet. Coffee or tequila? Messy or neat?
Hi Allan, my favourite spot is wherever I find myself. I have an office which serves for all the routine writing work related to book production, marketing and assorted other duties involving the time needed to keep my writing career going. But I am always taking notes, either on my phone, on paper, or making a mental note about something. For instance, I'm working on a new book, Gone World, simply known as an artificial intelligence tragedy. I have made copious notes on my phone about the space in which my characters live. When I settle at my desk to do what I call formal writing, I will write the pages needed to incorporate these ideas into the stories. I am also gathering information about Marguerite from Family Ties, Family Lies, to write her story. I have note pads all over the house to allow me to work on a scene, to write the dialogue of a character that comes to me when I'm doing some non-writing activity.
An Excerpt from Family Ties, Family Lies
This is an excerpt from
the scene on which the story turns:
It's 1944. Life in rural
New Brunswick, Canada is very traditional, very strict. At the insistence of
her parents and her husband Walter, Jessie gave up her high school teaching
position in the city of Saint John to move to an isolated farming community.
She was trying to make the
best of her new circumstances when she got a call to come to her parents'
house.
Her sister Pauline is
pregnant and the man responsible has moved back to Montreal.
******
The door opened and her
dad came in. "You told her?" he asked, as he sat down heavily in the
chair next to his wife Maeve.
Jessie saw the
harsh redness of her father's cheeks, the dark circles under his eyes.
Her mother
nodded, leaning across the table toward Jessie. "We talked to Pauline
about going to the home for wayward girls near Moncton. It's far enough away
that no one will know, and we can take her there and have them look after her
until the baby is born."
"But she
won't know anyone there," Jessie said.
"And
that's good. No one will know about the baby and she'll be able to move on with
her life after it's born," her father said.
"You mean
she'll come back here to Apohaqui?"
"Where
else can she go? She won’t have a job in Saint John anymore," her father
said as he stared at his hands. "She was damned stupid to let this man
anywhere near her without his agreement to marry her."
"And now
she must be really scared. I would be. What about the child?" Jessie
asked.
Her father
glanced at her mother, then at her. "Because my family were Irish
immigrants to this country, we had to learn to survive. I've lived most of my
adult life wishing my family could have stayed together. Not a day goes by that
I wish my parents had not taken my sisters and moved to Boston. When I was
younger I didn't understand why having no money meant we couldn't stay together. But I grew up. I saw what was needed to
make my way in this world. And in time I forgave my parents for leaving Tom and
me here to be indentured to a mean-hearted farmer who simply wanted us to work
hard while he got all the benefit of our work." Her father fisted his
hands. "I never forgave old man McNutt for what he did to my brother and
me. He hated us because we were Irish. He was cruel and mean and we had no
choice but to put up with it." He raised his head and stared straight at
Jessie. "And that's when I decided that no blood of mine will ever leave
the family. I won't have it happen again."
"What are
you saying, Dad?"
He leaned his
elbows on the table. "When Father and Mother left Tom and me here, I
vowed…." His jaw clenched. "This baby is my blood. Our blood. We will
not abandon the child."
"But Dad,
how does Pauline have this baby and keep it? Mom says she can go to a place
near Moncton to wait for the baby, but what happens after she has it? She can't
go back to work in Saint Johnwith
a child to care for." She looked from her mom to her dad. "Surely you
don't think you can raise the child? You've already raised your family."
Her father
leaned back, the chair creaking under his weight. "Jessie, we want you to
take the child."
"What!
No! I don't want to do that!" She jumped out of the chair, her face
reddening in disbelief. "I have a child."
"But only
one," her father said, dropping the words into the silence of the room.
Jessie grabbed
the back of the chair for support, her glance swerving from her father to her
mother and back to her father. "Walter and I will have more."
Her father
turned to her mother. "Maeve, tell her what we talked about."
Maeve
swallowed. "Jessie, you only have one child to care for. You have a big
house, a good farm. Walter's a good husband. The child will have a good
home."
"Jessie,
this wee baby will have no place to go if you don't take it," her father
said.
"What
about Edward and Vera? They don't have children."
Her father
winced. "Jessie, this has to stay inside the family. Everyone has to
believe that this child was born to a woman in our family--a married woman.
Edward lives on the homestead in Sussex Corner. It would be very difficult for
Vera to pretend to be pregnant with her neighbors and friends all living so
close. But you live in a small community, and you don't have neighbours living
close to you."
"And I
could make you a couple of loose-fitting dresses," her mother said.
"And I
pretend to be pregnant?" Jessie felt her voice rising, tears threatening.
"Mom, Dad, you can't be serious! I can't pretend to be pregnant for the
next five months. That would mean I couldn't go anywhere or do anything."
She thought
about her friend Maggie Ingalls who’d promised to see her this summer. She
thought about her plan to convince Walter to let her visit with his sister
Evelyn in Saint John over the next few months. She thought about how hard it
would be to raise another woman's child, especially her sister's. She thought
about her plan to return to teaching in two years when her daughter Sarah was
old enough to go to school.
"Jessie,
I know we're asking a lot from you. But we have to do what your father wishes.
We can't let this child go to strangers. We can't." Her mother moved
around the table to where Jessie stood. "We'll make it up to you. We
will."
As Jessie
stared into her mother's tear-stained faced, she knew what that meant. She
wouldn’t be able to return to teaching until Pauline's baby was old enough to
go to school. That would mean at least another six years. She couldn't survive
living on a farm, away from any contact with teaching. She needed it, and she didn't trust that there wouldn't be another
demand on her to give up something else she needed. She could hardly breathe
through the pain in her chest as she considered her future. "How? How will
you make the loss of my plans, the end of my dream of being a teacher, up to
me? Tell me!" she yelled as she headed for the door.
"Don't
you yell at your mother. You come back here, Jessie," her father said, his
tone hard. "We haven't finished talking.”
She reached
the door, put her hand on the knob. "We have, if this is how my life is
going to be. And God knows what else.
When is it my turn to have the life I want?"
Her father
came toward her, placed both hands on her shoulders and squeezed gently as he
turned her to face him. "I remember so well when my parents left me and my
brother. They went to live in the Boston states where they could find work.
They took my four sisters. They couldn't afford to keep all of us, and that
meant Tom and I were left to fend for ourselves. I remember all of it. I wish
circumstances now were different and that your sister had used her head instead
of her body. But there's nothing either you or I can do about that," he
said, his voice sad, his expression one of yearning. "I love you. I love
Pauline. Your mother and I are trapped by that love and our need to keep our
family together. What this situation has done is leave all the responsibility
on your shoulders, which isn't fair. But there it is." He kissed her
forehead as he used to when she was young, bringing back memories of a father
whose love was fierce and all encompassing.
"Jessie,
I know you didn't want to move to a farm, give up your life in Saint John. But
we often don’t get what we want. What I am
going to do is forgive the loan I made Walter to buy the farm. I know it isn't
what you need, but it's all I can
offer."
Through the
haze of regret and disappointment, all Jessie could think was that the life she
wanted was over. Once again, she had to give up a part of herself so others
could have what they wanted.
Fighting back
tears, she looked at her parents. They were getting old, and they were in a
very difficult position. All her life, she'd heard them talk about doing the
right thing, about being a family with standards of behaviour. And the
expectation that she and her sister would marry and have a family had been a
very important part of her upbringing. She could understand why they didn’t
want Pauline's reputation to be damaged. They wanted her to have a decent
chance of marriage when all of this was over. She understood that. Saving face
meant everything to her parents.
But at the
same time, she couldn't accept this decision without a fight. There had to be
another way. It wasn't fair that Edward and Vera, who didn't have children,
weren't being considered as the parents for this baby. And most of all, it
wasn't fair that Pauline would get to keep her own life while she was expected
to give hers up. It just wasn't fair. "I'm going home to talk to
Walter."
Your
novel sounds like one I need to add to my TBR list. Thank you for being our
guest this week. We wish you continued success with your writing.
And
a HUGE thank you to all our visitors and readers.
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