Friday, 6 November 2026

The Story Behind the Story with Chuck Bowie of Fredericton, NB, Canada.

 

It’s our pleasure to have one of our most popular authors back.

Chuck has a new thriller and he is sharing the STBT with us this week.

He's been a welcome guest before and you can see it 

HERE.

Read on, my friends.

 

 

Chuck is both a writer and an author, with 10 novels published and one just arrived. Chuck has recently settled into exclusively writing mysteries: Suspense-Thrillers and Cozy Mysteries. All of his books are well-reviewed, and he has sat on the boards of the Writers’ Federation of NB, The Writers’ Union of Canada, is a Fellow of the Kingsbrae International Residency for the Arts, as well as being acknowledged as a member of the Miramichi Literary Trail.

His thriller series chronicles the adventures of Donovan, an international thief for hire, while his cozy series (written as Alexa Bowie) follows the adventures of the owner of an arts and culture centre as Emma solves the crimes that swirl around her centre: The Old Manse. He writes a short story from time to time.

Chuck is also present on Facebook, Instagram, as well as on Threads.

Chuck lives in Fredericton as well as beside Miramichi Bay. Thriller number Seven, Cerulean Blue Murder is now available, with Number Twelve underway.


 November 7th - tomorrow, Chuck will be in Fredericton at this fun event.



 

 Title: Cerulean Blue Murder

Series: Donovan: Thief for Hire

 

Synopsis:

Donovan and Beth are hired to retrieve and transport three small packages across the western Mediterranean, all very legal, of course. The problem is, highly illegal artwork appears to be following the packages on the same cruise ship’s path from Spain, through France and Monaco, to Italy.

The secret involves Donovan’s employer hiring a second thief, called The Magician, to enter into the same quest. Is this a game? When people start getting killed, it doesn’t feel like a game.

Donovan decides to pursue the quest despite the elevation in danger. Who knows; the stolen artwork may provide an additional, lucrative payday. Or it could get them killed.

Travel in the lap of luxury with Donovan and Beth as they cruise from one world class city to another. Will they get rich, or will they fall prey to The Magician’s murderous ways?


 

The Story Behind the Story:

My wife and I took a cruise across the Western Mediterranean on a small—1000 passengers—luxury ship. It was glorious, with ample time to visit all of the best coastal cities in Spain, France, Monaco, Tuscany, and Rome. As we travelled, it occurred to me that there was room for shenanigans on a cruise like this, and an idea began to take shape. What if a luxury cruise became a quest?

I very much wanted to combine the delight of living the lifestyles of the rich and famous (while I am neither of these things!) with the thought of being thisclose to illegal temptations. And with every city, the idea for a story became more concrete.

Every city became a genuine surprise to me, in that I fell in love with them as I walked their streets. One in particular held my thrall, and I placed the crisis there. I can’t wait to get back to it.

 

Please visit Chuck’s website HERE. 



 

A question before you go, Chuck.

Scribbler: Who was your favourite author, or story, growing up?
Chuck: Growing up, my favourite author was Rex Stout. His Nero Wolfe detective series was brilliant, from plot, to character development, to the skill with which Stout painted his characters—good and evil—in shades of grey. No one was all good or all bad; they were human.

Buy the book HERE.


Or the others in this delightful series HERE.


 

Thank you for being our guest, Chuck. Wishing you continued success with your writing.  

 

Thank you to all our visitors and readers.

Feel free to leave a comment below.

We’d love to hear from you.

Friday, 30 October 2026

The Story Behind the Story with Gabriel Tait of Toronto, Ontario. Canada.

 

Someone new to the Scribbler! 


Let’s welcome Gabriel as he shares the news of his intriguing novel.

Read on, my friends. 

 

Gabriel Tait is a Toronto novelist and the author of Meeks and The Ranleigh Tapes. He began writing fiction at fifty, after carrying the original idea for Meeks since his early twenties. Sober since October 27, 2001, he brings that perspective to his fiction about addiction and identity. Echo will complete the Meeks trilogy.

 

Title:  Meeks 


Synopsis:

Ranleigh Meeks is twenty-seven, working nights in a Toronto warehouse and living far below his potential. When he discovers a way to experience the life he believes he should have had, the temptation to escape becomes increasingly difficult to resist.

But escape comes at a cost. As addiction takes hold, the boundaries between his two lives begin to unravel.

Moving from the Canadian Prairies in 1979 to Toronto in 1997, Meeks is a dark psychological novel about addiction, self-deception and the pursuit of an imagined better life.

 


The Story Behind the Story:

I didn’t start writing fiction until I was about fifty. But I’d had the idea for Meeks since I was about twenty. It had what I thought was a good hook and a strong pivot, and those were the things that kept it alive in my head. I carried it around for the next thirty years without doing anything about it.

A year or two before I started writing, I told my children the story. They thought it sounded interesting and encouraged me to write it. So when I began thinking about doing something completely unexpected at fifty, the idea was already there.

I wouldn’t call it a midlife crisis. I don’t subscribe to those. I wanted to do something I hadn’t done before. Something that would surprise my family, but more importantly, surprise me.

The first thing I did was reread Stephen King’s On Writing. I figured that if I followed his advice closely enough, I might make it through a first draft. The working title was The Desert. It eventually became Meeks.

I didn’t have a detailed outline, and I didn’t really know who Ranleigh Meeks was. The characters, structure and much of the story developed as I went along. There were Post-it notes everywhere around my desk, mostly to keep the timelines straight.

Even the opening got away from me. What I thought would be a short prologue set in a Canadian Prairie town became thirteen chapters covering roughly two days in nine-year-old Ranleigh’s life. I eventually wanted that section to work as a story in itself, a Prairie Gothic with a beginning, middle and end. It grew considerably darker than a visit to Grandma might suggest.

I started writing in October and finished the first draft in May. It was around 130,000 words. Following King’s advice, I put it away for six weeks. When I picked it up again, parts of it felt as though someone else had written them. Some passages were surprisingly good. Others were almost laughably bad. But the bones were there.

Over roughly six drafts, I cut material, removed characters, changed settings and reworked the structure. I also typed the entire novel out again with each new draft. That gave me plenty of opportunities to become thoroughly sick of the main character’s original name, Raymond. Eventually, I found his replacement on a Toronto street sign: Ranleigh Avenue.



The settings changed too. I’d originally tried to put the story in the United States, despite knowing very little about the places I’d chosen. I moved the story to the Canadian Prairies and Toronto, places I knew. That allowed me to concentrate on telling the story.

Looking back, I don’t think I could have written it when I first had the idea at twenty. I needed the thirty years in between. By fifty, I’d experienced addiction, hit my own bottom and spent almost two decades in recovery. I’d also listened to thousands of other people’s stories.

That experience helped me write Ranleigh as a human being who was struggling. I didn’t want to lecture readers or turn him into a caricature of an addict. I wanted to tell a psychological thriller that kept people turning the pages.

When readers in recovery told me I’d got it right, or said the book had changed how they understood someone in their family with addiction issues, it surprised me. These were people I’d never met. Something I’d written had connected with them. That has meant an enormous amount to me.

 

Website – Please go HERE.

 


 

A question before you go, Gabriel:

Scribbler: Who was your favourite author, or story, growing up?

Gabriel: I got into Stephen King probably a bit too early, like a lot of us did in the early eighties. My parents had a weekend farm property, and I distinctly remember reading Cujo in the back of an abandoned car behind the barn on a very hot, humid summer day. Given what happens in that book, it was a surreal experience. It’s stayed with me ever since.

 

 

Thank you for being our guest, Gabriel. We wish you continued success with your writing;

 

 

And a HUGE thank you to all our visitors and readers.

Feel free to leave a comment.

Sunday, 18 October 2026

The anthology everyone has been waiting for is finally here... Yahoo!

 



The second of the Elements anthologies is available in paperback now, eBook coming soon.

Meet the authors.

Find out what inspired their story.

Read on, my friends.

 

Air, An Anthology - a collection of short stories that are fast, fresh and unpredictable. The second in a four-book series dedicated to the cornerstones of our existence, Air celebrates the element we cannot live without, the invisible connection to every living thing on this planet. So breathe in, breathe out and grab a front row seat for this incredible ride. 

From the pens of award-winning Canadian and British wordsmiths, this collection unleashes boundless imaginings that feature winds of change most unexpected; a windstorm fallout in Treeless County; an Appalachian bird-watching excursion that reveals a unique creature; vital answers from the past when Tarlia’s sword falls silent; unforeseen consequences inspired by a beautiful work of art; the solemn truth that living in the past is no way to enjoy the future; a woman who falls unexpectedly from the sky; the compelling notion of words floating through the air; a coming of age while ice sailing, and a creation set loose into an unknown world … that used to be alive... 

Discover for yourself why this multi-genre treasure trove is completely unforgettable.

 

Eden Monroe

What inspired my story The Big Green:

The day Paisley fell out of the sky.
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I thought it would be fun to revisit my long-time fascination with hot air balloons. So I combined my thrilling experiences as a passenger (on one occasion fleeing a quickly approaching storm) — and once as a member of a chase crew. I then added an altogether possible what if, because sometimes the worst can happen.

Visit her website HERE.


Sandra Bunting

What inspired my story in Air, Six Degrees of Freedom.

The winds of change – maybe not be what you'd think.
------------------------------------------------------------------------------

Our world at the moment seems lost in a fog as to what is real, what is the truth and even what is human.

Visit her website HERE.


Christopher Sweet

What inspired my story, The Perfect Spot

During a bird-watching excursion at a little-known place in the
Appalachians, a young couple gets more than they bargained for when a truly unique creature reveals itself.
--------------------------------------------------------------------

The idea for my story came to me as I was watching birds one afternoon. As I watched, this imaginary scenario played out in my head wherein some birders try their luck at a site rumoured to host some incredible birds, only to discover something far more intriguing–and frightening–than an eastern bluebird or Kirtland’s warbler.

Visit his website HERE


Pierre Arseneault

What inspired my story, God’s Wrath?

As per an intoxicated Willie, God took his wife Maybel, leaving the few remaining residents of Treeless County to figure out exactly what that means as they assess the damages from a
windstorm.
--------------------------------------------------------------------

Themed anthologies are something I’ve grown to love doing. And while ideas usually come easy for me, I struggled at first because how does one write about air or water? Then, about a week later, during my one-hour commute to work one day, the dam finally broke. I pulled into the parking lot and jotted down brief notes about all four seeds. Also, I’d decided I would test my storytelling abilities in these four books.

For Earth – I would write a fantasy.
For Air – I would write a western.
For Fire – I would write horror. (sorry…)
For Water – I would write science fiction. Most of these story ideas were simply hatched from flashes of how I would use the element in the story.

Visit his website HERE or HERE



Angela Wren

What inspired my story, The Portrait. 

A beautiful piece of art inspires unforeseen consequences.

--------------------------------------------------------------------------------


2014 and I’m at the Academy of Arts in London staring at a painting of a tailor that was created between 1565 and 1570. There is something about the expression on the man’s face that sets my mind wondering who he was and how he lived. Who were his family? By the time I’d got back to the station I’d got a story outline written in my head. By the time I’d got back home I’d got almost a complete story. Christmas 2025 and I rediscover my jotted notes. 2026, The Portrait is published.

 Visit her website HERE.



Gianetta Murray

Wind Chimes

Living in the past is no way to enjoy the future

----------------------------------------------------------------------------

Visit her website HERE



Suzanne Casey

The Boys of Winter

As two boys start manhood, they test their skills and limits through ice sailing.

-------------------------------------------------------------------------------

Learn more HERE.

 


Angella Cormier

What inspired my story, The Dryden Experiment 

In the silence was the flowing of the information within the vines of the creation he had unleashed upon what used to be the world. What used to be … alive.

----------------------------------------------------------------

My story idea for the Air Anthology book had been on my mind for several years. I had the initial idea about the main character, a professor, based on a real life teacher from my home town, who was very much into science and tech. He was always interesting to me simply because of his love of science and his quirky personality.

The seed for the plot itself was a what-if moment, which combined the idea of technology meets plant ecology. I would like to dedicate this story to the teacher the character was loosely based on, as he has recently passed away. He was cherished by many and I hope the spirit of who he was lives on in their hearts.

Visit her website HERE.

 


S. C. Eston

What inspired my story, The Passing

Tarlia’s sword falls silent, and the only person who might know why is someone she’s spent years to forget.

--------------------------------------------------------------------------

The Passing was loosely inspired by a scene in Downton Abbey after one of the show's most beloved characters dies. One by one, the other characters come to see her, revisiting what has been and paying their respects. I carried that procession into the World of Arvelas (the setting of both my book The Conclave and my new dark fantasy series, The Baneseeker Chronicles) where it became the next chapter for the Crystal Company and its leader Talia, who first appeared in my short story The Huntress. I've played tabletop RPGs in this world since I was a teenager, so writing this felt like coming home.

 Visit his website HERE



Allan Hudson

What inspired my story, The Letter 

Words floating through the air.

------------------------------------------------------------------------

When the group decided on the element, Air, I imagined the moving winds stealing something valuable from someone. 

Perhaps a letter?


 Visit his website …, Oh, wait...you're already there. 


 


BUY THE BOOK HERE.

(PLEASE & THANK YOU)




The previous anthology  in this series is Earth

To learn more, please go HERE.




Take a look at our previous series of anthologies - 
The Path Series.

Autumn Paths.
Winter Paths
Spring Paths
Summer Paths
To discover more, please go HERE.




Thank you for visiting the  Scribbler. 
Feel free to leave a comment.

Tuesday, 15 September 2026

The Story Behind the Story with Nancy Cusack of Saint John, NB, Canada.

 

The Scribbler is happy to have Nancy join us again to introduce her new book.


We are more than pleased to have her return.

She has been a guest previously and if you missed it, please go HERE. 

Read on, my friends.


I am a Licensed Counselling Therapist in Saint John NB. I live in Rothesay. This is my second book that was born from being a daughter and a care giver to my father who had a wonderful life before struggling with dementia.

 

Title: When the Sun Went Down: My Dad, Me and Dementia.


 

Synopsis: It is a poignant deeply personal memoir exploring the bonds of family, the heartbreaking progression of cognitive decline and the unexpected challenges that arose as my dad grew frail and vulnerable. The book offers a candid look at how dementia transforms family structures, tests emotional resilience and redefines what it means to love and protect a parent.

 


The Story Behind the Story:  At its heart, the book was written for anyone sitting in the quiet, overwhelming space of caring for an aging parent. It offers validation for grief, anger and love that coexist when a parent becomes ill, reassuring readers that while dementia changes everything you can navigate the storm with honesty, grace and boundaries.  When a parent becomes vulnerable it can lead to family conflict and betrayal. I want any reader going through something similar to feel less alone.

 

Website: Please go HERE.


A question for you Nancy.

Scribbler: Who was your favourite author, or story, growing up?

Nancy: Growing up in Rural New Brunswick my favourite stories were real life stories that my grandmother would tell me about her life and growing up in the same area. One story that I included in my book “ When the Sun Went Down” was how she worked the farm while also caring for her baby boy (my dad). I've included an excerpt of this story below.


Pearle would take the baby everywhere on her hip as she worked. By midday the sun bore down without mercy. Sweat pooled in the hollow of her collarbone, trickled down her spine, soaked through the thin cotton of her housedress until the fabric clung to her skin like a second layer she couldn't shed. Her hair, pinned back in the morning with such care, had long since come loose, damp tendrils sticking to her temples and the nape of her neck.

When he was three years old, he fell off her lap as she was raking one of the fields with a horse and rake in tow. She stopped the horse in time, so Dad was not injured by the big rake. In those days a rake was a large piece of farm equipment that had a seat and was attached to a horse, not like the garden rakes used today. The rake was a monstrous rusty thing, enormous, and menacing. Its curved metal tines jutted out like the sharp claws of some ancient giant, each one stained with oxidation and worn from years of hard labour in the fields. When the horse plodded forward, pulling its burden across the uneven ground, the rake would bounce and clatter behind, rising and falling with each step. Those sharp edges would catch the newly mown hay, lifting and turning, the sweet scent of cut grass mingling with the metallic tang of old iron.

It was no easy task, managing all of this at once. The leather reins had worn grooves into Pearle's palms familiar channels where the straps settled, rubbing the same places raw, day after day, until the skin there had toughened into permanent ridges. Still, by the end of a long afternoon, even that hardened flesh would burn. She could feel the reins cutting in as she held them taut, her fingers cramping around the leather, her wrists aching from the constant tension of keeping the horse steady, keeping the line straight, keeping everything under control.

The horse's breathing was rhythmic, interrupted by the occasional snort or shake of its great head, the bridle jangling with each movement. The rake behind them created its own terrible music, a scraping, clattering symphony of metal against earth, tines catching and releasing, the whole apparatus groaning and creaking as it lurched over rocks and ruts. And beneath it all, or sometimes rising above it, was her boy's voice: babbling observations in his three-year-old language, humming tunelessly, occasionally calling out "Mama!" with delight at some bird or cloud or nothing at all.

My grandmother had to control the reins with steady hands, guiding the horse along straight rows while constantly glancing back to monitor the positioning of that intimidating rake. Her neck ached from the constant turning, the vigilant checking. One wrong move and the tines could catch on a rock or dig too deep into the earth, jerking the whole apparatus to a violent halt. She'd seen it happen before, the sudden stop that could throw a person forward, the rake bucking up like a living thing.

And all the while, she balanced a toddler on her lap, my dad, three years old, his small body warm and squirming against her as the rake's seat jostled beneath them. That warmth was both comfort and burden. In the heat of the day, his body added to her own furnace, his skin sticky against hers, his weight pressing down on her already-aching thighs. But it was also the warmth of life, of love, of the reason she kept going when every muscle screamed for rest. She would shift him slightly when he grew too heavy on one side, murmuring "Easy now, sweet boy," or "Mama's got you."

In later years, when my grandmother would tell this story, and she told it often, as if the retelling itself was a prayer of thanksgiving, she would reach the moment when her boy fell, and her entire demeanour would transform. Her voice would rise to a shriek, her eyes would widen with that same terror she must have felt decades before, and her rugged hand would fly to her chest, clutching at her heart as if to keep it from leaping out. "He fell right off my lap!" she would cry, reliving it all over again. "Landed right there between the horse and the rake!"

The image refuses to fade from my mind, so vivid, so real, as if I'd been there myself. That small child tumbling from his mother's grasp, hitting the ground in the narrow space between the plodding hooves of the horse and those terrible metal claws that continued their relentless bouncing, rising and falling, rising and falling, just inches from his tiny body. It was a miracle, really, no other word for it, that my dad wasn't trampled by the horse's heavy hooves, that those large metal claws didn't catch his clothing or his tender flesh, that the rake didn't roll forward over him as the horse continued its steady pace. Any one of those things could have happened in the split second it took for my grandmother to react.

My grandmother must have been an expert at controlling the reins and the horse, her reflexes honed by years of farm work, her connection to the animal so instinctive that she could halt it mid-stride. But even she would admit, with tears glistening in her eyes and her voice dropping to a reverent whisper, that maybe, just maybe, God was watching over them that day as well. Some things, after all, are beyond even the most skilled hands to control. Some mercies come from somewhere else entirely.

 

Buy the book or eBook HERE.

Also available at Indigo in Saint John and Fredericton, the Write Cup Café in Saint John, the Kings County Museum in Hampton, The Titusville store, (where my dad grew up).

 

Thank you for being our guest, Nancy. We wish you continued success with your stories. 


A HUGE Thank You to all our visitors and readers.

Feel free to leave a comment below.

We’d love to hear from you.