I had the
pleasure of meeting Dave at a Frye Festival event held in Shediac, where he and
many other authors and poets were invited to read their works. An affable man,
he was easy to talk to. I’ve since followed him on Facebook and admire his many
photos and works of art.
He has
kindly agreed to a 4Q Interview and is sharing several of his photos and works
of poetry.
Dave has
a degree in Arts from Concordia University in Montreal. Dave
started writing in the late sixties and has published in a variety of Canadian
literary journals. Dave is a member of
The Breach House Gang, a writers’ group in South East New Brunswick. Dave started painting in 2000,
after a one year stay in Brazil and works in a variety of media. Dave has participated in over 50 solo and
group exhibitions. Dave's current work is an exploration of abstract forms and
textures on larger canvas. A past member of Galerie 12 in Moncton, the AAAPNB
(Assoc. of Acadian Artists of N.B.) and the Writers Federation of New
Brunswick, Dave has also published 2 books of poetry. Dave's work appears
presently in both private and public collections in Canada, US and Europe. He
resides in Grand Barachois, N.B.
4Q: Before
we discuss other creative endeavors, please tell us about your poetry, your
inspirations.
DS: Writing
poetry, for me, began in the late sixties when I attended CEGEP in Montreal. It
was all due to the encouragement of one of my teachers, Sister Simpson. I was excited about songs being written
during this period by people like Leonard Cohen, Eric Anderson and Bob Dylan.
They were writing lyrics that really resounded in me and I tried to write this
kind of stuff as well. Sister Simpson encouraged me to continue. Then the following year at Concordia
University I encountered Al Purdy and the poetry bomb really went off. He
taught me to find my own voice. We corresponded for quite a long time and I
believe he has been the largest influence in my writing.
4Q: You have
a unique style in your photos of nature and our natural surroundings. My
understanding is that you trained as a photographer in Moncton. Under whose
direction and what is the key element you look to capture?
All photo copyrights owned by Dave Skyrie. |
DS: I
studied photography for one semester at the New Brunswick Community College in
Moncton under Tom Barnes. I have been learning it on my own ever since then. I
think that in my photography one of the key elements I strive to capture is the
sense of the passage of time. The unique moments that will not come again. The
person in an out of the ordinary pose, the bird between the perch and
flight…difficult to explain really. Haven’t got it yet.
4Q: As with
all new guests, please share a childhood memory and/or anecdote.
DS: May I
offer this poem about memories as an early teen in Montreal instead?
Not yet paved
There
used to be kneeling
there
used to be harsh
and
difficult words
in Latin
and High Masses
with
songs and sermons
so long
and boring that
they
would drive boys
into
Sunday morning pool halls
where
church money was spent
on 2-for-a-nickel
cigarettes
and
pinball.
Now the
kneeling benches
have been
taken out
to
accommodate
the Bingo
games.
There
used to be a giant tree
on
Cobourg Street in Montreal
which
marked the end
of the
English neighborhood
and the
start of the French
and the
dark woods behind
where we
name-called and battled
not
really knowing or caring why
only that
this was what was done
by
English and French kids
on a
Saturday night
in
Montreal after a Leafs-Habs game
no matter
who won.
There
used to be girls.
A lot of
girls. Girls
at soda
fountains, girls
on the
streets and in pool halls, girls
in packs
at parks checking out
the boys
playing ball, girls
in school
looking cool
girls at
dances on Saturday nights
all lined
up on one side of the hall
daring
the boys to ask them to dance
the boys
nervous and unaware
that the
girls almost never
ever said
no.
There
used to be friends,
Marty,
Rheal and Robert
porch
sitting on summer evenings
drinking
cold Cokes in green glass bottles
the green
glass bottles we believed
to be the
mark of the better Cokes,
the
American Cokes, and in those days
everything
seemed better from the States
especially
the music that drifted in
and out
of the static late at night
between
the hysterics of the DJ's
and the
Wolfman howling
into the Montreal
air
on
battery-hungry transistor radios
a kind of
avant-garde scratchy rock-n-roll
that was
never heard on any of our own stations
But most
of all there used to be
time,
time on my side almost unlimited
time,
piles and piles of it enough
time it seemed
for a lifetime, for bicycling
or
running or simply slowly walking down
all those
roads, those dark roads
that were
not yet paved.
4Q: Lets
discuss your paintings. You started painting twenty years ago after a visit to
Brazil. How did that influence you? What mediums do you favor?
Copyrights owned by Dave Skyrie. |
DS: A bit more than a visit, I spent
about a year and a half in Brazil at the age of fifty. It opened my eyes to a
different culture, an abundance of color and the need to see and create new
things. I think this is when my artistic vision kind of changed from
photography (being happy with a copy of something) to abstract painting or
actually feeling the need to create something that has not existed before. An
exciting revelation for me.
I believe that art is an argument that the artist is constantly having
with himself and that art is found in the process of creation and not in the
end result or product. The surface of the painting needs to reflect this
argument, this tension that exists between artist and canvas. This is why the
surface of a painting, the texture and form, the strokes and scratches are more
important to me than the finished painting itself. The give and take of the
paint, the layering on and the scratching off of paint, this is where the art
is to be found.
I rarely begin a painting knowing the direction it will take.
Creativity comes best to me when the mind is empty. With no reference save for a preferred
palette of colors and a huge amount of trust in instinct, the painting begins
with a single stroke or splash of color.
There are no rules, there can be no formula.
4Q: Of all
your creative endeavors, is there one that gives you the most pleasure? And
why?
All photo copyrights owned by Dave Skyrie. |
DS: I think
equal pleasure is derived from all of them, painting, writing, photography.
They are all solitary endeavors. Writing requires the least equipment and takes
up much less actual space than the other two. The poems are usually started and
“first-drafted” in my head and so do not even require pencil or paper. Same
with painting. Nature often presents me with patterns that I can begin to work
out as paintings in my mind. I think
this is why poets and painters often have that far away look in their eyes.
Sleeping? No. Working things out.
4Q: Are your paintings and/or photos, books of
poetry on display and available for purchase?
All photo copyrights owned by Dave Skyrie. |
DS: My
artwork can be seen at Galerie du tchai, in Richibucto, at the gallery at Société Culturelle Kent-Sud (SCKS) in Bouctouche, at The Oak Haus on
Botsford St in Moncton, and in my studio which is open to the public in Grand
Barachois, NB. Poetry is available via
my web site and on-line via Lulu.com.
4Q: Anything
else you’d like to share with us?
DS: Thoughts of the day in no particular order.......04-01-17
1.
Is it just me
Or are there
Far too many
Actors named
Ryan these days?
Very confusing.
2.
That Trivago guy
Has no rhythm.
3.
Why is Tony Clifton
Such a forgettable name?
4.
This painting is way too much
Like Romeo's piece ... but I like it.
Do I keep it......paint over it?
5.
Is this what Leonard meant
When he wrote,
"Love me because nothing happens."?
6.
I haven't had
a decent thought in days.
Thank you,
Dave, for being our special guest this week. Wishing you continued success and
fulfillment with your pastimes.
For you
wonderful readers wanting to know more about Dave and his work, please follow
this link.
On the web
at www.skyrie.ca
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