If you looked up the word ‘Creative’ in the dictionary, the definition would likely by accompanied with a photo of Nancy Scofield beside it.
She’s an author, a poet, a visual artist and a singer. The founder of the Breach House Gang, which is a collection of other creatives who publish their stories and poems collectively.
I get exhausted just thinking about all her accomplishments.
And she’s our special guest this week and we are reverting back to an interview format for this week’s post.
Schofield was born in Saint John, NB, began her artistic career in music and
was singing in musicals by the age of five. This talent was nurtured by formal
training in voice and piano and resulted in years of competitive and public
performance and professional recording. After graduating from high school, her
family encouraged her to choose a conventional profession and she entered a
three-year program at St. Joseph’s Hospital School of Nursing. She eventually married
and raised three children.
In 1986, King
Schofield entered Mount Allison’s BFA program as a mature student and graduated
in 1991 with a double major in painting and printmaking. Since then, she has
pursued life as an artist and in the process, emerged as a major figure on the
Canadian scene. She is now recognized for her originality in mastering the
difficult medium of carved wood relief.
Nature is both
muse and theme in King Schofield’s work. Although equally acclaimed for large
two-dimensional canvasses, she is best known for her mixed-media simulations
that dramatize the tactile qualities of nature. Her technical skill in drawing
free hand with a router, carving and gouging wood produce landscapes that are
at once both abstract and representational. She finds inspiration from
collected pieces of metal, driftwood and rocks that she integrates into
sculpted two-dimensional pieces.
In the thirty
years that she has worked professionally, King Schofield has displayed
exceptional commitment to the growth of art in her community, contributing pieces
to raise money for art causes. In 1996 she was one of 15 women featured in “The
Creators,” a Women’s Television Network series on women artists. She has served
on the board of Imago Print Shop, Galerie 12 (Moncton, NB) and Struts Gallery
(Sackville, NB). She also helped found three collectives; Galerie 12 (Aberdeen
Cultural Centre), The Breach House Gang (2000) and Women Who Write (2017). King
Schofield credits her extensive gallery tours in Europe in 2002 and 2009 with
giving both sustenance and inspiration to her artistic commitment.
She began to
write poetry in 1999 and often incorporates lyrical arrangements of words on
the surface of her mixed-media art to add “musical”texture to the work. In
2009, she was awarded first place in the WFNB Poetry Competition. In 2021, she
was a featured artist in a UNB project on March 8th to honour International
Schofield’s paintings are featured in many collections in Canada and the United
States, and she has participated in more than one hundred exhibitions. The
overwhelming acceptance her work has garnered during a career that extends from
1991, confirms for her a significant place in New Brunswick’s artistic
Nancy King Schofield lives in Grand Barachois, NB in her studio / house near the ocean called, “the Breach House.”
Scribbler: With so many outlets for your creativity, is there a favorite? One you always go back to?
Nancy: Throughout my life, I have always gone back to visual art because of its accessibility. That was a redeeming factor for me while looking after three children and making frequent moves across Canada to accommodate my husband’s career. This lifestyle disrupted my ability to become established in either music or writing circles, but painting allowed me to work on my own until I was able to obtain formal training at Mount Allison University.
Scribbler: First off, please tell our readers about the Breach House Gang.
Nancy: When I started writing poetry in 1999, I needed someone to listen to me. I approached an artist and asked her if she was interested, and we read our work to each other occasionally. I thought there must be many other writers who needed the same support and that was when I decided to get a group together. At first there were only three active members and we met at my studio but with the onset of Covid, we decided it was safer to meet online. One initial member still attends, and we meet once per month but now we number 11.
Scribbler: Can you tell us about your writing? What are you working on at present?
Nancy: What I plan to do this winter is to define poems that I have been writing over a couple of years and then to publish a collection. Because of time needed to manage the two writers’ groups, I haven’t much of the same to spend on my writing, even though my daughter Alex (poet and visual artist) chairs our meetings and another writer (Elizabeth Blanchard) acts as treasurer.
Similarly, I hope to prepare paintings over the next couple of years and launch an exhibition of art. I have already collected many interesting wood pieces from nature and have covered a long table with over a hundred metal pieces.
Scribbler: Please tell us about your art?
Nancy: During my formative years, my family had a summer cottage situated next to the Kennebecasis River. Every year I spent eight weeks observing organic growth, wildlife and the many moods of this powerful river. Deep feelings of guardianship for the natural order were fostered in me at this time; stones, driftwood, and rusting objects left behind for earth and water to absorb. However, I was unaware that the physicality of these objects would later become a point of reference in my art.
I need more than just paint to express my emotional response to the natural landscape. Moving energetically over the surface of a piece of plywood with an electrical router; changing bits to determine the width of grooves, gouging, sanding and chiselling the surface is what gives energy to my process. It also contributes to a sense of movement in the piece itself and I am drawn into an extraordinary experience of nature, through it. Paint and collage are added later for greater psychological impact. The large scale of many pieces is intended to place the viewer at the center of the landscape.
I studies intaglio printmaking with Dr. David Silverberg over four years at Mt. Allison. This involves using acid to bite grooves into the surface of a zinc plate that will eventually be filled with ink and printed. Similarly, I use a router to incise my drawings in wood (bas-relief) and fill these channels with paint.
My written text is often added to the piece, suspended across the surface like a transparent veil of texture.
Scribbler: I am envious that you can sing and entertain with music. Do you sing professionally?
Nancy: I haven’t sung professionally for many years. Making moves across Canada when I was actively involved in singing made it practically impossible to put down roots and become established in that arena. Also, taking care of two growing children plus a challenged son was a big responsibility and one that I took seriously.
Before marriage, I sang professionally with orchestras, on radio and TV, in music festivals and for many different organizations. Stepping away from music wasn’t a choice but something that was necessary but because I have always thought that Art is a house with many rooms, I just went into a different room and made paintings instead of songs. And when the time was right, I entered the room of writing and learned about poetry. Occasionally now, I visit the music room and sing folk songs with other singers. Therefore, nothing is really lost because my goal in art is to evolve in whatever process I undertake.
Scribbler: Anything else you’d like to share with our readers?
Nancy: The only other thing I would like to share is that I was fortunate to grow up in an Irish community that valued music and the arts. Also, both of my parents were gifted musically and therefore, music and art played an important part in our family and affected our decision making throughout our lives. Being involved in music was what we loved to do.
Last of all, I wish to thank you Allan, for your interest and for inviting me to participate in Scribbler. It has been a pleasure!
It’s been our treat to have you as a guest, Nancy. Thanks for your time and answers. Wishing you continued success with your artistic endeavors.
Thank you to the many readers and visitors. It’s fun.
What’s your favorite artistic outlet? Tell us I the comments box below.
Fascinating interview! I am impressed by Nancy Schofield's range of artistic expression, and by the way she harmonizes family, community, and artistic life.ReplyDelete
Thank you for the comment, Anne.Delete
Great to hear about nancy. We live too far apart to see each other often. But I have always admired her work. Congratulations Nancy. A good read. Oh, didn't answer the question, for me it's caly in particular.ReplyDelete
Thank you for visiting and leaving your comment.Delete
An excellent interview! I have known Nancy for a very long time and never cease to admire her versatility and resilience which shows in everything she does. Well deserved success!ReplyDelete
Thank you for visiting, Dianne. Nancy is, indeed, a talented lady. Glad to have her here as a guest.Delete